(RNS) — Early in the afternoon on the first day of September, adults and children strolled along the streets of Nikozi, a historic village in central Georgia that is home to some of the country’s oldest Christian churches. The pedestrians converged on a courtyard where a band was playing Georgian folk music, followed nearby by a hand shadow puppet show and a demonstration of Georgian folk dance.
After the obligatory speeches from local officials, the crowd quieted to listen to Bishop Isaiah, the spiritual leader of the Eparchy — akin to a diocese — of Nikozi and Tskhinvali.
The occasion was not a church service or even particularly religious. The bishop’s address was the official kickoff for the Nikozi International Animation Film Festival.
The bishop, a fan of animated film, came up with the idea of the festival in 2011. “I thought, every similar festival is either in a big city or a seaside resort. Why can’t we make it in a village like ours?” Isaiah told Religion News Service.
The truth is, there are not many villages like Nikozi. It is situated close to Tskhinvali, the capital of the de facto Republic of South Ossetia, the erstwhile autonomous region of Georgia that broke away in 1991 after Tbilisi declared its independence from the U.S.S.R.
When war broke out between Russia and Georgia in 2008, the bishop’s jurisdiction was cut in half. Travel between Nikozi and Tskhinvali became impossible as Russian soldiers stationed in Tskhinvali erected barbed wire fences marking a new effective “border” between South Ossetia and the independent state of Georgia. Walls in Nikozi are still pockmarked with bullet holes.
Besides his fondness for film, Bishop Isaiah started the film festival to give Nikozi new life. A free art school he founded in 2009, as an uneasy peace had been established, convinced some parents not to move away. The films in the festival literally appear against the backdrop of the complex geopolitical situation in the Caucasus: The building hosting the screenings was bombed and partly destroyed during the 2008 war.
But the festival, though small — several hundred people attended this year — is more than a symbol of peace. The largest animated film event in Georgia, it saw more than 100 animation films screened in the first days of September, including work from several European countries, as well as Japan, the USA and Iran, thanks to partnerships with foreign embassies, animation film institutions and festivals around the world.
“The love and dedication to animation keep living in me. I think it is the field where you can build bridges between people and cultures,” said Bishop Isaiah, who is 62. He was inclined toward the arts from a very young age. In the 1980s he studied animation and worked with renowned director Gela Kandelaki.
But in the early 1990s, Isaiah’s plans to pursue film studies abroad were complicated by Georgia’s declaration of independence from the former U.S.S.R, which began a series of political upheaval, armed conflicts and a profound economic recession.
“If events in our country had unfolded differently, it’s quite likely I would have remained in my favorite field,” said Bishop Isaiah. But after seven decades of repression under communist rule, the Georgian Orthodox Church faced a shortage of priests and higher-ranking clerics. Isaiah felt the pull and he took his ordination vows in 1993, officially became a monk in 1994 and assumed the position of an eparch in 1995.
Thirty years later, the Georgian Orthodox Church and its leader, Ilia II, stand as among the most popular institutions and prominent public figures in a nation of 3.7 million inhabitants, 83% of whom are Orthodox Christians. However, the church has also recently faced growing criticism due to its staunchly conservative stance on LGBT rights, its ties with Russia and the anti-Western rhetoric emanating from some of its leadership.
Bishop Isaiah’s festival offers another, lesser-known social, educational and cultural association with the church.
The entire community contributes to the success of the festival. Local women cook traditional Georgian food. Families host foreign guests in their homes. Teachers from the art school help with logistics, and former students come to lend a hand or showcase their artistic work. Giorgi Magradze, a talented oboe player, returns home every year from Germany to perform a concert during the festival.
The 11th edition of the festival — it took a break during the COVID-19 pandemic — was a special one for the bishop: He was seated in the front row for a rough cut of his own documentary about the 2008 war. It began with the sound of bombs falling and images of destruction in the village, including scenes from the burned bishop’s residence, followed by interiews with the town’s inhabitants reacting to the conflict and the occupation of their village by Russian troops, in raw, black-and-white footage.
Rather than conveying pessimism and darkness, the film captures a sense of resilience and even humor, portraying the absurdity of war. At one point it shows a hastily organized wedding ceremony in the church for an elderly couple.
The bulk of the festival’s programming, however, consists of art-house short animation movies that would not likely make it to TV or mainstream theaters. A notable aspect of the event is its noncompetitive nature. “We want to make artists feel the meaning of this place,” said Eter Glurjidze, 25, one of the organizers who grew up in the village and attended the art school. The filmmakers, she said, “are much more at ease when they come here. We want to promote cultural dialogue over competitiveness.”